Ambrose Bierce. From the website of the Clifton Waller Barrett Library of American Literature at Wikimedia Commons.
“That’s
the way I want you to die!”
Not
your usual donut shop conversation….
That’s
what my granddaughter gleefully said to me in my local neighborhood
donut shop.
I
don’t have a typical granddaughter – and I am not the typical
grandfather.
Among
other things, I seem to have lost my instructions regarding how one
is supposed to act at any given age. Acting one’s age has always
been a challenge for me. People speak as if there is a master list
with details and criteria for each stage of life, but no one will
share theirs with me.
In
this particular case, a cheery exclamation about death, as with
everything perhaps, context is everything.
I
was picking her up after school in a neighborhood donut shop across
the street from her middle school.
This
was one of those places that had vintage hardback books lining the
walls as part of the hands-on décor.
I
was perusing the books as I waited for her.
As
she came in, I pointed out a book of short stories by Ambrose Bierce.
To
put it mildly, his stories are not for everyone. Most of them are
notable for their unexpected – and often unsettling –
conclusions.
The
conclusion of his own life was as unsettling, ambiguous and uncertain
as the endings of most of his short stories.
He
was a contemporary of Mark Twain, among many other American literary
figures. He, and his stories, were immediately recognizable.
Most
people noted in history books have a parenthetical note of when they
lived and when they died.
Not
Ambrose Bierce.
Ambrose
Bierce did have a clearly defined birth date, and place.
But
his time – and location – of death were never confirmed. Or even
estimated.
His
last employment was as a reporter for a San Francisco newspaper.
In
1913, he went to Mexico to cover the various revolutions and
uprisings there.
He
never returned.
But
he was reportedly seen in France shortly after 1913.
Or
was shot by Mexican revolutionaries.
Or
lost in the Grand Canyon.
Or
married late in life and lived in deliberate obscurity many years
longer.
In
short, no one seems to know for sure, or even approximately, where or
when, or how, Ambrose Bierce died.
But
yes, that is how I want to die.
Some
people want a memorial – a gravestone or a monument, some kind of
tribute.
I
just want to be gone.
But
not just gone.
I
want to be gone in a temporary sense – or at least a seemingly
temporary sense.
I
would like to leave people I know with the sense that I could be
almost anywhere -and might be back soon.
Graves,
if nothing else, at least for our physical bodies, are too final, too
certain, for me.
I
have lived most of my life in a near total state of borderline
uncertainty, and cannot imagine an afterlife much different.
I
imagine those I know thinking, “He might be in China, or Jamaica or
on one of the islands in the Salish Sea, or maybe teaching overseas,
or on a tribal reservation, or panning gold in some isolated hills,
or on a bike ride through some mountainous terrain. Or at a writer’s
retreat. Or visiting a Trappist monastery. Or wandering the earth as
an itinerant story teller and vagabond prophet, or at the bottom of
an isolated, inaccessible cliff”.
Anything,
that is, except a name on a stone with a beginning date and an
inflexible end date.
My
granddaughter saw that person.
Other
people can have their memorials, or even their ashes scattered in
their favorite parks. I just want to be gone; but gone in the sense
that I could be walking around the next corner or just out of sight
on some distant trail.
I
don’t have a favorite place, or even the vision of a place of final
rest.
And
the thought of breathing my last breath in a hospital bed, with clean
sheets and a patient’s gown, hooked up to various tubes and
monitors is my worst nightmare.
Except
that is not even nightmare, not a dream, not a possibility; I cannot
even begin to picture it.
I
know at least two people, born into cultures who do not track or
value such things, who literally do not know their own birth dates.
They have a general idea of the season and the year. But that is all.
And
in their cultures, it is enough.
That
is how I want my expiration date.
We
are more than the dates printed on a form or engraved on a
gravestone; we are more than our beginning and ending dates.
In
that donut shop that day I learned something about myself that I knew
but couldn’t put into words.
We
all have beginnings, but not all of us have endings. Whether memories
or grave stones – or unfinished stories - once here, we linger in
all kinds of improbable places.
As
I quietly told my granddaughter the story of Ambrose Bierce’s final
chapter, over the hushed conversational buzz of the donut shop, she
recognized immediately how I related to his undefined fate.
Her
early teenage girl exclamation of “That’s the way I want you to
die!” was as cheerful and upbeat as any end of mortality could, and
should, be.
The
surrounding conversations in the donut shop fell silent and we left
without a word.
But
I am convinced that more of us should end our lives with uncertainty,
or at least refusing to surrender to the finality of those imprinted
dates.
Breathing
or not, we are unfinished, and, we could, after all, if not seen for
a month or two, be on a secret assignment or impulsive vacation in
France, Bolivia, The Mariana Islands, Portugal or across town.
I’ve
always imagined myself, as the end approaches, taking a long bike
ride into an untraceable wilderness, maybe alongside a vast and
rushing waterfall, and never coming back.
But
then again, I just might change my mind, go somewhere else, meet a
Sasquatch, or find a local donut shop that needed a crazy story…
Unless
you
type
the
author's name in
the subject
line
of the message we
won't know where to send it.) ***** If the
link to the letter doesn't work you can copy
and paste in this address: preserve@storyhouse.org