Singing In The Drain Ditch




Morf Morford
 




© Copyright 2025 by Morf Morford


Photo by Andrew Patrick at Pexels.
Photo by Andrew Patrick at Pexels.

It wasn’t Valhalla – but then again, maybe it was…

During my last year or so of high school, and for a year or two afterwards, some friends of mine took up a peculiar activity.

My parents had a grass-filled drainage ditch across the front of the house I grew up in.

It was a alongside a road at a crossroads, with a stop sign directly across.

Somehow one of us had discovered how perfectly ergonomic and comfortable this drainage ditch was.

If we sat in it, we were slightly below ground level. And since we were below most people’s sightline, the average driver would look right over us and was not likely to see us.

During the summer, two or three of us would sit and observe drivers.

My parent’s house was about a mile from a popular lake with a park and swimming area.

On summer afternoons, after a day at the lake, hundreds of people would drive home past my house.

This was before cell phones. Or air conditioning.

And before streaming or even compact discs in cars.

Everyone listened to the radio back then. And everyone knew – and played – the upbeat songs of summer.

Drivers, alone or with family or friends, would drive by, stop at the stop sign and we would hear bits of conversations or the music they were listening to through their open car windows.

At first we just quietly watched, and then some of us began to make comments about the cars, or the people, or their music.

Americans in their vehicles are a species unto themselves. They could be described as Americans in the wild, in their native habitats.

I don’t know about other cultures, but Americans have a very strange view of themselves and their vehicles. Americans can be very possessive of their vehicles, and, when it comes to being in their vehicles, tend to switch from feeling secure with privacy and then public within micro-seconds.

Most of us feel safe and comfortable, even untouchable, in our vehicles. We hide in them and we show them off. As one car designer put it many years ago, Americans don’t drive cars – we wear them.

Those in their cars do not expect a voice, seemingly from nowhere, emerging and adding to their conversation or commenting on their activities.

Most of the time, the driver would stare over us, look around, not see us and say something like “What the…? Who said that?” and then, totally baffled, after the car behind them honked, would drive off.
There was a steady stream of summer traffic.

My friends and I would gather some snacks, like popcorn and fruit, and watch the action go by.

One friend of mine played harmonica and kept one in his pocket.

He began to play along with the music from the passing cars.

He eventually brought over a concertina – a small, portable accordion, and we would play, sing or hum along with the music passing by.

It was a continual parade of music, and coming from a time of playing in the lake, everyone seemed in the mood for even more of the unexpected.

There were no sidewalks in our part of town. And, for whatever reason, my friends and I didn’t do organized activities; we didn’t have “lessons” or do any team activities on a schedule or that took special equipment or uniforms.

We roamed around and improvised.

Eventually, as the summer progressed, we would gather various instruments and jam alongside the summer motion in front of us.

I had a trumpet, once or twice someone had a trombone, we played various wind instruments, whistles, flutes, bongo drums, tambourines, bells and guitars or banjos.

More than once some stranger saw us, caught the vision and joined us.

For better or worse, my friends and I just couldn’t do “normal” – we didn’t reject or oppose, but we just couldn’t relate to it.

Looking back on it, I think my friends were all geniuses – but that was when genius wasn’t measured or defined or even acknowledged. Back then conformity was rewarded.

We just couldn’t do it. Over the years, we went our separate ways, and I never saw or heard of anyone doing anything remotely similar.

We weren’t just moving at our own rhythm, we were creating it, finding it in the pulse of the traffic and the exuberant mood of a generation on wheels with nothing to lose and everything to discover.

Schools and economies and societies in general, are not kind to such advocates and apostles of the unexpected.

We couldn’t follow, and we didn’t lead, but we moved to our own unspecified, unheard pace and the beat of a humanity unleashed – perhaps as the last generation before the ultimate – and constant bondage of screens, phones, “services” and devices.

We didn’t see it as what it was; a near pure encounter with serendipitous humanity.

We didn’t know what we were doing – or what we had – but few others had it then, and it seems impossible for anyone now.

But the improvised, jazz, folk, tribal, call and response out of nowhere, tied to the pulse of the weather and passing traffic seems like a strange vison from another universe – a universe where we all gather in an impromptu harmony for no reason, on no schedule and with no purpose except pure momentary, non-repeatable exuberance.

No one would call it music – but it sort of was. Or at least it was strangers meeting and harmonizing and, with each passing moment, each passing car had its own energy and contribution to the saga with no end and maybe no beginning.

It was Huck Finn meeting John Cage and a sonic Jackson Pollack merging with hyper-activated, sun-drenched wet kids on a wispy summer afternoon.

It was what we made it.

And maybe, in a certain way, it was what made us.

As I look back, I see a freedom there; no obligation, no schedule, no format and no defined purpose.

In the long and dreary days of winter, we had another activity that, as far as I knew, no one else did; we call them “crazy drives”.

With a tank full of gas, a dark and rainy night, no agenda and no destination, we would roam through the night.

We lived on the edge of what was called civilization. It didn’t take long for us to get to areas without streetlights or street signs.

In sheer, dripping darkness, we would get thoroughly lost, with no reference points, little sense of direction and guided only by our fatigue and hunger. We would often roll in the driveway at daylight.

No compass, no clock, no devices tracking us, no schedule, and no end in sight, and endless random conversations about any topic or preposterous idea; we were young, foolish and free.

Those were the days before expiration dates, user names, websites and seat belts.

If anything had happened to us, it would have taken weeks – maybe years to find us. If ever…

We went down dead ends, along cliff-side dirt roads and dense forests with no end. We saw car accidents, helped strangers with flat tires, witnessed mysterious lights in the dim, soggy darkness, saw shadows flickering around and over us, and wondered what would happen if…

I learned more in those meandering rambles than any graduate seminar. Among other things, the road – and the darkness – are infinite; we are not.

We dance, and sing and celebrate on the edge of the abyss. Our comfort, recognized or not, is in each other and whatever waits for us.

The sheen of our distractions only numbs our spirits and paralyzes our hearts.

We are told that everything, from food to freedom to love has a cost. But now I am convinced that everything that matters is free…that freedom is, in fact, free; that if love “costs” anything, it is in a currency we barely understand, but that, somehow, every one of is born with.

And those things that “capture” and “consume” us, and leach the life from us, those are the things that “cost” – and keep us paying forever.

Dollar signs don’t define anything except our bondage.

Several decades later, I am probably the most “normal” one. There are sidewalks in my neighborhood. I have a 401 (k), lawn service and I look out my windows on rainy nights and wonder…



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