The Woman From The Little KingdomInkar Abduakhit © Copyright 2025 by Inkar Abduakhit |
![]() Photo by Laura Mann on Unsplash |
A bitter winter evening. Almaty city.
The cold pierced to the bone. People on the streets moved quickly, silently, without looking at each other. In the middle of this silent rush, a woman stood out—poorly dressed, unfamiliar, a stranger to everyone. She looked to be in her forties, her face pale, skin stretched with fine lines and shadows. Her eyes seemed hollow, her lips chapped. She wore a torn, faded coat, and on her feet—old galoshes, nearly falling apart. Her teeth, few and far between, were not whole. Neither was she.
She had been standing there, trembling, for the past half-hour, asking passersby for coins. No one stopped. Not even a glance.
To keep from freezing, she moved closer to an old vinyl player propped up near a closed café. From it, faint music spilled into the street—a melody soft and distant, almost drowned by the noise of footsteps and traffic. The woman moved slightly to the rhythm, shifting from one foot to another. It was as if blood returned to her limbs, warming her just a little.
Then it began.
“Malen’koye Korolevstvo.”
The Little Kingdom.
A song of dreams, of fairy-tale lands, of fleeting happiness. Of hope.
The woman’s movements slowed. Her body swayed gently. She stood still, a little unsteady, and looked down at the spinning vinyl disk—at the shiny surface that reflected a blurry image of herself. She saw her own face and froze.
For a long moment, she just stared.
Then, suddenly, she raised her hands to cover her face. Her shoulders began to shake. And then came the sobbing—deep, silent, whole-body sobbing that made her bend over in pain. Her cries didn’t echo; the city swallowed them without notice.
No one stopped.
People passed her by, as though she didn’t exist. As though she had become invisible. Lost. Forgotten. The music played on, but inside her, something had just shattered. It felt as though the last thread connecting her to her past—the warmth of youth, the joy of being seen—had snapped.
She was outside the kingdom now.
Outside the world.
Part 2
The music continued. “Malen’koye Korolevstvo.”
No one really knows who this song was originally written for, but tonight—it belonged to her.
Each note brushed against something raw inside her. She closed her eyes. Her body swayed, almost imperceptibly. With the music, her soul stirred. For a brief moment, she felt like she was back in that “little kingdom”—a place with no cold, where people smiled, where once upon a time, things had been good.
A child’s voice echoed faintly in her mind:
— Mama, sing me a song…
The words fluttered past like a breeze, barely there. Her lips moved silently. Maybe she was mouthing the lyrics. Maybe an old prayer. She couldn’t tell.
Nothing came back clearly—only shadows of warmth: sunlight through a window, a flower on a windowsill, the soft touch of piano keys, the ghost of a smile. These were not memories so much as distant echoes. But still—they comforted her.
The cold still gnawed at her bones, but something inside had warmed. Those memories—or dreams—were no longer sharp. Just soft glimmers, slipping through her fingers like melting snow.
People kept walking past her, not seeing her. She didn’t expect them to. She didn’t even want to be seen. She had come here for the music. It was the only thing that still felt real.
A man paused near her, looked at his phone, then walked on. She glanced up instinctively—was he watching her? No. He was gone. Just her and the fading melody now.
She looked again at the spinning vinyl. In its reflection, she saw a face.
Not the woman she was now, but someone else—someone who had once believed. There were lines on her face now, tiredness in her eyes, white in her hair… but deep beneath it all, a flicker of something still remained. Not hope, exactly. But something not yet fully extinguished.
Her hands came up, slowly, as if on their own. She covered her face—and then the tears came.
No sobs this time. Just quiet, shaking breath and steady streams of warm salt down frozen cheeks. It wasn’t grief, or not only grief. It was the weight of all the years, of being unseen, unheard, untouched. The ache of a song half-remembered. The silence between memories.
Still, no one stopped.
The song played on.
She lowered herself to the ground. The pavement was hard and cold, but she didn’t feel it. Her body had long grown used to discomfort. She looked around the street. The shop windows glowed. People inside laughed, drank, scrolled through phones. Outside, the snow kept falling.
She gazed upward. The sky was low, heavy, soft with snow.
Somewhere deep inside her—perhaps near the place where old dreams sleep—something stirred. Just the faintest flicker of warmth. A memory of a hand held in hers. Of laughter. Of music played four-hands on a dusty piano. Of a child’s giggle and the soft click of a music box.
She remembered… or maybe imagined… a voice once telling her:
— One day, we’ll have our own little kingdom. You’ll be the queen. I’ll be the musician. We’ll be happy.
She didn’t know if it had ever truly happened.
But she had believed it.
And now, even as she sat in the cold, in the dark, alone…
that dream still hummed softly somewhere within her.
The little kingdom—if it ever existed—was gone.
But the song remained.
Part 3
The snow kept falling. Each flake light, soft, but unbearably cold.
The woman hadn’t even realized when she’d sunk to the ground. Her limbs were numb. But the music still held her. It was the last thread.
The melody slowed.
Malen’koye Korolevstvo—The Little Kingdom—was drawing to its end.
She lifted her head slightly. The streetlights flickered in a dreamy haze, casting long shadows across the sidewalk. Somewhere down the street, a couple walked by—hand in hand. The woman in the pair glanced briefly in her direction, then quickly turned away. They passed without a word.
She, too, had once walked like that with someone. Or had she?
She couldn’t remember. Nothing was clear anymore. Just a feeling that once—long ago—there had been joy. And it had been real.
Her fingers were stiff, her legs ached, her body refused to move. But she didn’t try to stand. She only looked upward, into the falling snow.
The music was quiet now. The final chords hovered in the air, delicate as glass. Soon they would dissolve into silence.
And then, in that silence, a flash of memory.
A little girl sitting by a window, sunlight in her hair. Saying something…
— A queen should smile, Mama…
The words sliced through her like wind.
Was it a memory? A dream? Or only something she’d once wished for?
She didn’t know. The snow touched her face like fingers. She let her head fall forward slightly. Her breath slowed. Her thoughts softened.
The song ended.
Silence.
Complete, deafening silence.
And then, from somewhere far down the street, a child’s laughter. Bright, alive. A small boy dashed past with a balloon in hand, his mother trailing behind. That sound cracked through the cold—cutting across the night like a single beam of light.
The woman turned her head slightly, her eyes following the sound. Did she smile? It was hard to tell. But something in her expression softened. A single tear slipped down her cheek. It wasn’t hope. Not quite.
It was surrender.
Or peace.
She did not rise.
But something inside her settled. The sky still snowed, the city still glowed, and all around her, life continued—quiet, unaware.
She remained.
A part of the night.
A shadow in the snowfall.
A song that had finished—but left its echo.
Because even when the music ends,
its final note can still linger in the heart.
Epilogue
Some kingdoms are never drawn on maps.
Some queens wear no crown.
And some songs echo through the soul long after the record stops spinning.
She was one of them.
Unseen, unheard—yet still holding the memory of her little kingdom.