Thinking
about the travel experience two decades hence I marvel at the
positive reviews of tourism in the Ukraine found in Trip Advisor and
similar travel sites… when I visited the country a working
toilet was a technological marvel.
Old
Hungarian
Joke: An old man is being interviewed. He tells the journalist that
he was born a Hungarian; then he became Austrian, then German, then
Russian. "How lucky you are to have traveled so much," says
his interviewer. "I never left my village," the old man
replies.
The
city of Mukachevo
is not among the glamorous destinations described by the colorful
brochures on display at your local travel agent’s office. It’s
barely on the map of the Ukraine, where it’s been located ever
since the Soviet Union split into smithereens. It’s hard to
find because the city keeps moving, from Hungary to Czechoslovakia in
1919, to German-Hungarian occupation from 1938 to 1944, and then
secession to the Ukrainian USSR in 1945. My wife Arlene and I are
traveling to this Transcarpathian city of sullen Ukrainians, scowling
Gypsies, dour Romanians and gloomy Slovaks to find a link to my past.
Astonishingly,
while going through boxes of photographs and papers collected from my
father’s apartment after his death, we uncovered a yellowed
document indicating that one Samuel
Lewis Englander arrived
at Ellis Island
in 1902, a passenger on a ship from Hamburg, Germany with the
family’s town of origin listed as Munkacs, Hungary. I
had assumed Dad was born in America
because I had never heard a word to the contrary from my father, my
grandmother or my aunts. What was it that impelled them to leave? What
experiences had they suffered and stifled for so many years? Perhaps I
would find out. For my
60th
birthday Arlene gives me a staggeringly generous gift: a trip to
Budapest with an excursion to Mukachevo to excavate the past as well.
In
September, 1992 Ukraine has been an independent country for only a
few months. Its budding bureaucracy has yet to create the most
fundamental of infrastructure never mind a Department of Tourism. It
relies on the Russian Tourist Bureau, known as Intours, to make the
travel arrangements for Americans delusional enough to want to visit
the forlorn city in the middle of nowhere. The agency, evidently,
had yet to be advised that the Cold War was over; a rotating roster
of irritably sullen and churlish agents takes turns questioning us
with the subtlety of a KGB grilling. Before they’ll issue
visas from their office in Toronto a fully paid itinerary is
required, a financial arrangement that will allow the Russians to
recoup a high percentage of their annual budget. The cost of seats
on the night train from Budapest to Mukachevo with reservations at
the one hotel in the city that offers an en suite bath is equal to a
portside stateroom on the Queen Mary with a penthouse suite at
Claridges on arrival. We know we’ve been had when we collect
our travel documents at the train station in Budapest. If we had
walked up to the ticket window and purchased them on the spot the
fare would have been about $80 versus the $2000 we paid! When Arlene
asks how close our seats are to the dining car the agent convulses
with laughter. If we want to eat on the train he suggests we
purchase a sweet roll and a bottle of water before boarding.
The
three-hour ride listed on the timetable takes more than eight hours.
The delay comes in the middle of the night at the Polish-Ukraine
border when suddenly the compartment door flings open. Ignoring our
shrieks of protest, several workmen burst into our cubicle with
massive wrenches slung over their shoulders. Without explanation,
they set about to take apart three square feet of floorboard as
Arlene and I huddle in disbelief on our cot-sized slab of a pull down
bunk bed. They are laboring to reconfigure the train wheels to the
gauge of the tracks in the Ukraine, which are inches narrower than
the width in Hungary. A cold breeze swirls up the gaping hole in the
floor as the workers struggle to reconfigure the width between the
rails. When the adjustment is completed, they replace the flooring
and leave without a word.
The
border belies its thin red line on our map of the two countries. It
is a wide swath of no-man’s land through which we bump along a
few miles at a time stopping intermittently for interrogation by
Hungarian border guards, Ukrainian Para-military patrols and several
squads of custom officials from both countries. Their uniforms are
parodies of a Gilbert and Sullivan operetta but the interrogations of
the officials are not in the least bit amusing. The last intrusion
is particularly frightening, the customs officer in charge becoming
increasingly irate because of our inability to understand his demand
to fill out a document written in the Cyrillian alphabet. “Ma-don-nah,
ma-don-nah,” he shouts at us red-faced, his
voice growing progressively louder as we stare back blankly. Our
bewilderment is turning into abject fright when Arlene suddenly “gets
it.” He wants to know if we’re bringing any religious
objects into the country! Our hasty disclaimer cools the situation
and explains the near apoplectic fit that took place earlier while he
was screaming “Nar-cot-ticks, nar-cot-ticks” into our
uncomprehending ears.
A
guide is waiting for us as we stumble on to the Mukachevo station
platform at 6am on a rainy morning, stinking from the swill of the
train’s overflowing bathroom and sucking on stale hard candy to
mask our morning breath. Our hired “guide” to the city
is a father-son tandem from nearby Lvov; the older man our driver,
the boy our translator relying on English courses taken in high
school. It becomes clear instantly that he was a “D”
student at best. The guide informs us that there is no record of
“Englander” at the city hall, the burial office, or any
public archive. In fact, there are no records of any kind to be
found prior to the Russian occupation in 1945. Every shred of
paperwork, deeds, birth certificates, death records, all disappeared.
The only evidence of centuries of Hungarian culture is an occasional
house with a checkerboard style, wood border inlaid into the façade.
For the next two
days we eat at restaurants where the only food served is cabbage and
blood sausage. There is no bread to be had; no coffee. In the shops
that are open the few gifts displayed on the shelves are crudely
crafted wooden boxes and clumsily painted wooden dolls. We pay for
everything in American dollars as the country has yet to print any
money, using script in the interim, the value of which shrinks daily
as the populace waits for the government to issue the official
currency. After paying for our meals, our guides’ meals, gas
and oil, and any and all expenses incidental to sightseeing our total
out-of-pocket cost is less than a hundred dollars, a striking savings
compared to the earlier, wildly inflated charges, but a flagrant
overcharge as far as I’m concerned! The hotel room, for which
we have prepaid a rate equivalent to the country’s gross
national product, features a massive, tarnished copper samovar as the
centerpiece of the décor and a four-poster bed with linen so
grungy Arlene sleeps in her raincoat. The water runs from 6am to
8am, then again at 5pm to 7pm and don’t bother to turn on the
hot water tap.
There is nothing
attractive about the city or the countryside; the people are
unsmiling, anti-American, and not to be trusted. The river is
turgid; the foliage is wilted; the mud soaked pedestrian walkways
reek with a fetid vapor when the sun manages to shine. The closest
structure resembling a landmark is an unremarkable stone fortress
supposedly dating back to the time of the Ottoman conquest. The
Palanok Castle was a prison throughout the 19th century and the
graffiti scrawled on the walls suggests it is not revered by the
descendents of the Magyars that occupied the Carpathian Basin. The
most interesting sight is an endless row of abandoned Russian trucks
lining the highway to the city, literally mile after mile of rusting
hulks slowly disintegrating. As for the influence exerted by the
enviable lifestyle of America-the-mighty the sole import is the hip
hop music blaring endlessly from the car radios of the vintage Škodas
parked permanently on the side streets of the petrol-starved town. Rump
Shaker by Wreckx-N-Effect and Jump by Kriss Kross have left no
airspace for the traditional lute-like instrument known as the
Hungarian bandura.
If there’s
a molecule of my family’s essence floating in the sour air, I
can’t sense it. What is immediately clear to me, however, is
why they got out of there when they did! The mood is ripe with the
odious warning that Jews have learned to sense after centuries of
bigotry and persecution: the sons and daughters of Judea are not
welcome here. It is easy to imagine what life was like for my
grandparents at the turn of the century, imperiled and impoverished
as they must have been. Surely they had sniffed the air as I was
doing now, prescient of the brutal anti-Semitic legislation
introduced by the Hungarian authorities in 1939 and the deportation
to Auschwitz in 1944 by the Nazi Eichmann Commando that sent 15,000
Jews to the gas chambers and left the city Judenrein,
free of
Jews. I shuttered to think what the fate of my family would have
been had they stayed.
The
afternoon before leaving we drive several miles outside of the city
to a sprawling landscape park on a remnant of the Great Steppe that
stretches west from the Ukraine through Turkmenistan, Uzbekistan and
Kazakhstan. Amid the wild flowers and grasses a small collection of
primitive dwellings have been erected, simulating life on the
once-wild plains. Among the huts and cabins is a yurt, a domed,
wood-frame structure covered by animal skins for insulation and
weatherproofing; the entrance flap opening on a dirt floor where the
animals bedded down. The warmth rising from the huddled sheep and
pigs and cows provided heat for the family living overhead on a
rough-hewn, wooden planked floor reached by a ladder from below. The
crude dwelling is painfully similar to the one pictured in a small,
grainy, sepia toned photograph found among my father’s papers. It is
not inconceivable to imagine his father, my grandfather,
actually living as a child in this heatless, antediluvian dwelling! I
imagined his unrestrained amazement as he left the shelter of Ellis
Island and encountered the modern day marvels that existed beyond his
wildest imagination. When he was a child, most of the world’s
Jews lived in feudal economic systems, deprived and powerless. Now
his first generation American born grandson has gone from a berth in
the steerage class of the Hamburg-American steamer line to a Business
Class seat on a transcontinental United Airlines Jet.
Our
guides are waiting for us as we check out of the hotel. It’s a
short drive to the railroad station and we are fortunate they
accompany us to the ticket window to help with translation -- to our
dismay there is a mix up in our tickets. The train back to Budapest
does not stop at Mukachevo. We must board at Chop, a city located
near the borders of Slovakia and Hungary where the Lviv-Budapest line
stops for passengers.
On
a night when the windshield wipers are useless against the hammering
rain we jolt our way over the rutted road to Chop, a three hour ride
that tests the limits of our resolve. The scene at the depot is a
Dickensonian nightmare. Immense murals of rural peasants with
bulging muscles compete for attention with busty milkmaids with
implausible rosy cheeks, heroic solders in shiny jack boots and
defaced portraits of Lenin and Stalin. We fight for room amid the
huddled crowd of waiting passengers, gagging from a choking stench
fused from excrement, vomit and rancid sweat. With no place to wait,
our guides say their goodbyes over our protests. We are left alone.
Arlene
looks at me in dismay but the scene is so far from what we envisioned
in the comfort of our pricey Chicago townhouse, we can only laugh at
the situation. In our gabardine, military style trench coats we are
Signe Hesso and Paul Henreid in a black and white B-movie, leaving
behind the forsaken streets of Mukachevo and the forgotten ashes of
my ancestors. After hours of waiting the train arrives in the
pounding rain. Undeterred we are caught up in the crowd racing down
the platform to find the cars that match the number on our tickets.
There
are no surprises on the train ride back to Budapest. We are
unflappable when the dance at the border is repeated. When the train
slows down as it passes through the small towns along the way we
reach out the window and press our script into out-stretched hands in
exchange for fruit kolaches rimmed by puffy pillows of dough.
Exhausted, we arrive back at our hotel in Budapest, where after long,
steaming hot showers, we happily splurge calories and forints on a
chocolate crepe flambé at the world-famous Gundel Restaurant.
Howard Englander is the archetype
of the new retiree, the so-called senior citizen who refuses to be
retired. His weekly blog, “Cheating Death,” focuses
on the realities of aging, making it a point to debunk the
Hollywood and television stereotypes of “the grumpy old man” and “the
ditzy grandma.”